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Sacred or Scared: Improvisation in a Church Setting
Presented by: Ron McKean
"I can't improvise. I don't know what to do. It's overwhelming." These are things I hear all time. The truth is that everyone can improvise to some degree. It all depends on two things: how much time you spend on it and the amount of willingness. In this workshop I will show what has been done for centuries: take a chord pattern and create figural variations with it. The next step is keyboard practical harmony: take one key and go to another using sequences, or patterns which create musical syntax, like speech patterns. Sequences connect one thought to another thought. There is such a large library of languages on which to improvise that we will start with a simple language, that of common-practice harmony. I will also give you some tricks, what I call "cheaters" to help free you from the theory side of improvisation. Improvisation is a two-sided coin: freedom from theory and complete engagement of theory. This class will be a demonstration of both sides along with a detailed handout to take home.
Ron McKean Ronald McKean

Ronald McKean is currently Director of Music Ministry and organist at St. Joseph's Catholic Church at historic Mission San Jose (home to the Spanish style Opus 14 of Rosales Organ Builders) in Fremont. For the preceding 26 years, he was Director of Music and Organist at First Presbyterian Church in Oakland, where he gave weekly organ and harpsichord concerts featuring a vast repertoire and improvisations in styles ranging from early to modern. In 1993, he directed the installation and played the dedicatory recital of Rosales Opus 16, the 60-stop tracker action organ being used for this workshop.

Mr. McKean has given improvisation workshops and concerts and taught at Stanford University, Indiana University, Witchita University, MusicSources (for the Historically Informed), Pipe Organ Encounters for Young People (San Diego, CA) and for American Guild of Organists. He has been Professor of Organ and Harpsichord at California State University, Hayward, and Music Director for the Junior Bach festival in 2003. Among his CD recordings are Mussorgskys: Pictures at an exhibition and McKean: Three Etudes for Organ 1998 (Rosales Organ in Oakland). Frescobaldi on Fisk (Stanford University, and Sounds of Eternity Vol 1 and II for percussion and electronics. His Compositions include Sacred Harp Suite for violin and harpsichord, Church Sonatas for Brass and Organ, Layers and Lines for String Quartet, Electronic ensemble, Songs of Life for Piano and Voice, Cold Mountain Poems for Chorus and Dewdrop and Scintillation for Orchestra. In 2003 The Berkeley Symphony performed his MoonPhase for orchestra in their program Under Construction for Composers. In March 2008 Mr. McKean won first prize in the Alienor Harpsichord composition award for his composition Sacred Harp Dyads (violin and harpsichord).